The board of Tempo Documentary Festival is happy to announce the appointment of Lisa Taube as the new festival director. The board is very enthusiastic to welcome the new director to the organisation with whom they will work to continue the positive development and growth of the festival.
Chairman Yvonne Rock, says: “It is with great excitement that the board of Tempo announces the hiring of Lisa Taube. We were fortunate to have quite a number of very qualified applicants and we think Lisa is extremely competent of working with us to bring the organisation forward and move into new terrains.”
Lisa Taube has the last 10 years worked as a freelance consultant for international financing and project managing for film and media. Lisa has rich experience from the film industry since many years and has previously been the coordinator for Mediadesk Sweden, vice president of production company Atmo and compound secretary of Filmproducenternas rättighetsförening.
Lisa Taube states: ”Documentary storytelling is more important then ever in these times of alternative facts and false truths. It is with great excitement that I’m starting my assignment as festival director and I’m looking forward to continue to develop the festival.
Lisa will start her assignment on September 1 2017, taking over from Agneta Mogren who left the festival earlier this year after 20 years in the organisation. Melissa Lindgren will remain as artistic director.
The 18th edition of Tempo Documentary Festival is over and we would like to thank all of our wonderful guests, audience and volunteers for a spectacular festival! It’s been an eventful week full of reality both on and of the big screen. Thanks you for this year and see you soon again!
Photos: Ronja Jönis, Magnus Norden, Katriina Mäkinen, Herman Der Nederlanden
Moderna Museet will host a major retrospective “The Cleaner” between February 18 and May 21, more at modernamuseet.se. Tempo will screen the film “Marina Abramović in Brazil – The Space In Between” in collaboration with the Moderna Museet. On March 7, the film is shown at Moderna Museet. Marina Abramović is participating. Her newly-written memoirs already exist in English, but “Go through walls” (Bromberg) will be published in Swedish in March. Read more on page 37.
The premier performance artist of the world today, born in 1946 in Belgrade and currently based in New York. Her performance “The artist is present” in 2010 at the MOMA in New York – which lasted 716 hours – received 750,000 visitors. She has founded her own institute for young artists and the development of performance, MAI (mai.art).
Marina Abramović is the queen of performance art. Where the human exchange becomes art. Where art finds a common denominator, like bees in a hive. Performance art not unlike many human rituals. Is it because Marina is so interested in them? One of her uncompromising journeys into the realms of ritual has now been documented. “Marina Abramović in Brazil – The Space In Between” will be screened at Tempo with Abramović present and her major retrospective will open at the Moderna Museet.
Further and further into the Brazilian jungle, via crystal therapies, shamans, an excess of drugs, religious invocations, rituals and other therapies that you didn’t have a clue existed are all used by Marina to further her journey. The documentary of Abramovic’s journey will explore meeting new friends, remarkable experiences, food, and the power of nature, contemplation and reflection. As a spectator you are struck by how much our universe contains. An outer journey becomes an internal one. Everything fits.
You’ve always been a nomad, traveling to India, Tibet, and Brazil in search of human rituals. Do you meet all these new people and ideas with a holistic approach?
-No, I do not, Marina answers when I reach her the day after a month long stay at the retreat in India. – I never take any other approach than that of a child. For a child is curious, takes everything seriously and is fully and completely open to what the world has to offer.
The film is very much about seeking a kind of inner truth. And maybe an outer… is there such a thing?
-There is a universal truth. Then, you can interpret it in different ways. But the overall transparency will help … In that way we can seek access to truths, religions, culture, science …
When you give all of your energy the forces can reach into all the locks we carry on. And I’m always looking for the unknown rather than the comfortable.
You are certainly not comfortable in ”Marina Abramović in Brazil – The Space In Between”. When you create your performances you say you enter another “you”, not the private Marina. So what are you in front of the camera in the film? You know that the camera is there … and it is so close, close … you are always in the center … doesn’t it affect your actions?
– I am not aware of the camera at all. Because we decided that, I have a microphone on me 24 hours a day, the photographer has the key to my apartment and to my bedroom. There is no such thing as privacy.
We have over 700 hours of material. All of this was very important, so that I do not disguise myself. We were able to open up the process completely, giving out the same energy as if the camera was not there. The same simplicity.
Marina’s questions are about our existences on this earth, about the individual’s place, about power and relationships, about the need for culture, understanding and ultimately perhaps also … beauty. For there are no limits. No time. Most of it will have to take some time. Slowness is increasingly important. Marina has always been completely uncompromising, even against herself, such as her 70’s performance “Rhythm 0” where she stood silent and still for an entire day with 72 small items in front of her. In the beginning, the audience gave her the rose that was in front of her, and the longer the day went on the audience began to test her more and more.
They took the scissors and cut apart her clothes, pulled them off, cut her with a knife and even sucked the blood out of her.
-It was uncomfortable, but that is what art can be.
Even as a young artist you must have decided that it is everything. But it must never be speculative. It must be honest. Even in the film screened at Tempo she challenges boundaries. For instance when she takes hallucinogenic drugs. Such things gives her attention, but she clarifies:
– Fame is nothing. The challenges have been with me from my childhood.
Marina Abramović’s audience does not care about age. She has, moreover, an unusually young audience for a 70-year-old artist with nearly six decades of work behind her. While the journey is always more important than the goal, Marina Abramović still makes reflective statements. The film is here, the memoirs “Walk Through Walls” is here, and the large retrospective at the Moderna Museet “The Cleaner” is here. One of her first recaps.
-It will be one of the biggest shows I do. There is so much material, so I have to put a lot of effort to sort all these 55 years I worked more than ten years of collaboration with Ulay and everything after that. And I’m very grateful to get to do it, to be at the Moderna Museet.
Your biography, your entire life from childhood in Yugoslavia today, has quickly become one of the best-selling art books around the world.
– I would have been disappointed if it is not sold, after all the places I worked and created on. So far it has been translated into 16 languages and is almost as universal as I am. Fame is completely uninteresting to me, in the book I get a chance to tell you about all the 50 years I have not been part of it.
And the film, what is the reason that it is coming out right now?
– I have never seriously documented what I do, so it is really time to do that now. It’s been so inspiring to show the underlying processes to others. And show Brazil that has become so important to me. Also in my work. Here I can find new expressions for me, but also for all of our common.
Writer: Henric Tiselius
Many of the films in this year’s program will have their premiere screening in Sweden, including Dream Empire by David Borenstein, The Man Who Saw Too Much by Trisha Ziff and The Land of the Enlightened by Pieter-Jan De Puec. These directors are some of the international guests. Hot radio documentaries in Sound Sauna at the Finland Institute, photo exhibition, conversations and a record number of seminars and much more are also part of the festival between 6 to 12 March. You can find the entire program here.
Among the highlights in the international film program is “La Chana,” which is a portrait of an aged but passionate flamenco dancer and “Gaza Surf Club” where we follow a group of young Palestinian surfers. (more…)
Nominees for Tempo Documentary Award is now official! In Sweden, the competition is one of the largest for documentaries. All the nominated films will be screened during Tempo Documentary Festival March 6th–12th, 2017. The award ceremony will take place on March 11th.
Tempo Documentary Award Nominations 2017:
Letter to a Serial Killer by Manal Masri
Citizen Schein by Maud Nycander, Jannike Åhlund & Kersti Grunditz Brennan
The Bald Primadonna by Fredrik Egerstrand & Tintin Anderzon
After Inez by Karin Ekberg
Heart Norsjö by Sophia Josephson & Lisa Josephson
A Bastard Child by Knutte Wester
I Called Him Morgan by Kasper Collin
Ouaga Girls by Theresa Traoré Dahlberg
Shapeshifters by Sophie Vuković
Prison Sisters by Nima Sarvestani
The Return by Zahavi Sanjavi
The Traffic Lights Turn Blue Tomorrow by Ragnhild Ekner
Tempo Documentary Award is organized in cooperation with the Swedish Film Institute and Influence Film Club. The price is SEK 75 000 and goes to the film’s director. The prize is awarded to the winner at the closing gala on Saturday, March 11.
The entire festival program and tickets will be released on February 8th.
Eight short documentaries are competing in the Tempo Short Award contest and two of them have premiere screenings during the Tempo Documentary Festival 2017. The bus from Norway is about the special bus tours from Norway to Sweden because of the meat sales in Sweden. Secret Heart is a personal story in which the filmmaker seeks out the man who had fled from the Balkans with whom she had an unfinished love story with more than 20 years ago.
19 876 steps in Auschwitz / Birkenau by Johanna Bernhardson
6 Degrees of Mustafa Arhan by Axel Petersén
Letters to Sweden by Salad Hilowle
The bus from Norway by Bo Pärletun
Secret Heart by Johanna Aust
Spermwhore by Anna Linder
Because the world never stops av Axel Danielson & Maximilien Van Aertryck
The Swedes by Manolo Diaz Rämö
Tempo Short Award is organized in cooperation with the Swedish Film Institute and Film Stockholm / Mälardalen Region. The price is SEK 25 000 and goes to the director of the film.
All the nominated films screens during the Tempo Documentary Festival March 6 to 12, 2017. Prizes will be awarded on Saturday, 11 March.
New Doc is Tempo Documentary Festival’s talent award for promising but as yet unestablished Swedish filmmakers. Nine films are nominated in the competition, and many of them have a Swedish premiere during the festival: Izabela, Promise, Raised by Krump, See the Man, Selfie and Exile.
Izabela is twenty-two and the mother of five year old twins. Like many other Romanies from poor parts of Romania, she has left her children with relatives in her home village to try to raise money elsewhere. In the film Izabela you will see the hard life she lives in Sweden and also when she returns home.
In the film The Promise we will meet Majsan and Helle, who are both over 80 years when they finally get married in church, but it doesn’t take long until they are not able to live together – but the love is still strong.
In Raised by Krump we get to know an urban dance movement in Los Angeles – called “krumping”. Some of the area’s most iconic dancer explains how dance and the community around it has helped them on the right course in life. Also in the film See The Man dancing have a great importance for the personal development for these football players in Östersund FK.
The contemporary phenomenon of posting photos of yourself in various poses has become a form of feminist activism on social media and this is examined in Selfie – Pose, Click, Upload, Repeat. The filmmaker in Exile, however, goes back in time and through her grandmother, who was born in Tornedalen, she seeks the common roots in northern Sweden and in the minority language Meänkieli.
Nominated for New Doc 2017
Babushka by Margarita Sheremet
Izabela by Ylvaa Johansson and Anna-My Novotny
Knaster by Neil Wigardt
The promise by Paula Gustafsson
One Ticket Please of Matiss Kaza
Raised by Krump of Maceo Frost
See the Man by Jose Miguel Jimenez
Selfie – Pose, Click, Upload, Repeat by Gilda Naumanen & Matilda Svedberg
The shame by Josephine Anderson Raattamaa
The price is 70 000 SEK, of which 30 000 in technical support, and will be assigned to a new promising director of an upcoming film project. The prize is awarded in partnership with Filmbasen / Film Stockholm, Cloud Film / Culture in the West, Film i Dalarna, Film in the East, Filmpool Jamtland, Filmpool North and Culture in Halland – Film.
All the nominated films is shown during the Tempo Documentary Festival March 6 to 12, 2017. The prizes will be awarded on Saturday, 11 March.
The entire festival program and tickets will be released on February 8.
Kim opens this year’s Tempo Documentary Festival! Twelve feature-length documentaries have been nominated for the Tempo Documentary Award. The opening film The Bald Primadonna is a portrait of Kim Anderzon, a feminist role model with a big ego. A woman who decided to do it all by herself, and who became one of Sweden’s greatest actresses. A whole life on stage. Then one day, cancer.
The Bald Primadonna will have its world premiere, as will Letter to a Serial Killer, a thrilling story about the killer Peter Mangs and Sweden of today; After Inez in which we follow a young couple who have just lost their newborn baby and Heart Norsjö which depicts two fifteen-year-old girl friends’ lives in a depopulated northern village and their dreams for the future.
(Un)truth is the theme of Tempo Documentary Festival 2017!
The main theme of the 18th edition of Tempo Documentary Festival is (un)truth, a subject reflected in a variety of films, radio presentations, photography and seminars during Tempo Documentary Festival 2017. The topic is naturally intertwined with the art of documentary storytelling – whose reality is being presented and how do we approach the truth while telling a story. The highlights of the international programme include “I Am Not Your Negro, a depiction of the African-American history and the reality of being black in the US nowadays. La Chana is a touching portrait of an aged, yet still passionate flamenco dancer. Gaza Surf Club gives us a chance to follow a group of young Palestinian surfers. This year’s Tempo presents around 40 international films in the total selection of over 100 documentaries during the festival held 6th–12th of March 2017.
“Tempo 2017 puts the notion of truth under the magnifying glass and goes deep in to the borderland between the authentic and the fabricated”, says the festival director Agneta Mogren. “We also want to go beyond the documentary genre and look at the concept of truth from a broader perspective, including politics, media and history.”
“We give a central space to stories of personal truths and asks questions about the individual constructions of truth. During one week of Tempo Documentary Festival it is completely allowed to stretch the (un)truth!” says Melissa Lindgren, the programme director of Tempo.
Full program will be released 8th of February.